Link Search Menu Expand Document

Eni, mother of the gods

urn:cite2:trmilli:divinities.v1:div_01

Based on the number of her occurrences in the surviving Lycian inscriptions, Eni holds a premier station within the Lycian religious system. Although the inscriptions provide no information as to Eni’s mythology, her common epithets paint a picture of her character as a goddess. She is often termed the Eni mahanahi (πŠšπŠπŠ† πŠŽπŠ€πŠ›πŠ€πŠπŠ€πŠ›πŠ†) or the β€œmother of the gods,” which ties her directly to the Luwian β€œmother of the gods” anniΕ‘ maΕ‘Ε‘anaΕ‘Ε‘iΕ‘.1 As such, Eni’s origins probably lie with a pre-Bronze Age or prehistoric Anatolian mother goddessβ€”the same female divinity identified at Γ‡atal HΓΆyΓΌk who became Kybele in the western Anatolia and Artemis at Ephesus.2

Like most Lycian divinities, Eni appears most often in sepulchral inscriptions as a protective deity. However, unlike maliya and trqqas, who are mainly agents of vengeance, Eni’s role in these inscriptions is slightly more diverse. In some inscriptions, she is invoked to β€œdestroy” (qastto) tomb violators, while in others she is invoked as the goddess to whose sanctuary violators will have to pay fines:3

Lycian Transcription Translation4
β€œπŠ–πŠ πŠœπŠ—πŠ—πŠ€πŠ…πŠ† : πŠ—πŠ†πŠ‹πŠ πŠ›πŠ•πŠ’πŠ—πŠ—πŠπŠ€ : πŠπŠ‚πŠπŠ†πŠŠπŠ€ : 𐊎𐊁 πŠ—πŠ—πŠπŠ†πŠ…πŠ†: πŠšπŠπŠ† πŠŒπŠπŠ€πŠ›πŠ† : πŠπŠ‚πŠ†πŠŠπŠπŠ›πŠ† πŠπŠ’πŠ‘πŠ—πŠ™πŠ—πŠ€ : πŠ€πŠπŠŽπŠ™πŠŽπŠ€ πŠ’πŠ‡πŠ€ πŠ–πŠ πŠπŠ†πŠŠπŠπŠ“πŠ† : πŠˆπŠ€πŠπŠ€πŠ—πŠ’ : πŠ–πŠ πŠ—πŠ—πŠ†πŠ—πŠ† πŠšπŠπŠ† πŠŒπŠπŠ€πŠ›πŠ† : πŠπŠ‚πŠ†πŠŠπŠπŠ›πŠ† : πŠ•πŠπŠŽπŠ€πŠˆπŠ€πŠ—πŠ€ : πŠœπŠ‰πŠ‰πŠ€πŠ–πŠ : πŠ€πŠ…πŠ€ : 5 πŠ–πŠπŠ‡πŠ πŠ—πŠ•πŠ‚πŠ‚πŠ€πŠπŠ€πŠ›πŠ€πŠ—πŠ† : πŠ—πŠ€πŠ‡πŠ€β€ se xttadi : tike hrottla : ebeiya :me ttlidi: Eni qlahi : ebiyehi noNtAta : aMmAma owa se niyepi : zalato : se ttiti Eni qlahi : ebiyehi : rMmazata : xΞΈΞΈase : ada : 5 sewe trbbalahati : tawa β€œAnd whoever erases/alters this inscription will pay nine cows as penalty to the mother of this sanctuary without delay, and he will pay to the mother of this sanctuary 5 adas of grain monthly, and he should re-arrange (the tomb) adequately.”

Along with being a mother goddess, Eni is also a localized divinity. Some inscriptions refer to her as Eni qlahi ebiyehi (πŠšπŠπŠ† πŠŒπŠπŠ€πŠ›πŠ† πŠπŠ‚πŠ†πŠŠπŠπŠ›πŠ†) or the β€œmother of this sanctuary.” The most notable qla (sanctuary) of Eni is the Letoon outside of Xanthos. This sanctuary probably dates back to the end of the second millenium BCE, and was of great importance to the Lycians, especially in the Hellenistic period when it became the national sanctuary of the Lycian League.5 The sanctuary recieved it’s name in the Hellenistic period, after the introduction of the cult of Leto and her children, Apollo and Artemis. Most scholars agree that Letoon originally belonged to the cult of Eni (or the Luwian anniΕ‘), but later assimilated with Leto after her introduction in Lycia.6 More about Leto’s presence in Lycian epichoric inscriptions can be found in the page β€œleΞΈΞΈe.”

In the 1970s, the archaeologist G. E. Bean discovered an anthropomorphic scupture probbaly dating to the end of the 7th century BCE in the Letoon. Bean’s description reads:

β€œ[The curious stone figure was found] lying on top of a thorn hedge. It is 3 feet high, neither statue nor bust, being cut off just above the legs. Most attention has been given to the face; the ears and the arms are mere shapeless lumps; the back is flat.”7

The statue itself is clearly a female, with it’s hair tied back in some sort of hair piece. The eyes, cheeks, and nose are all exagerated, so that they take up the majority of the rounded face.8 Bean suggest that the statue was merely a students unfinsihed model, and not something of great religious importance. However, the scholar Fahri Işık argues that the statue is more likely a cult image of Eni, and that it’s archaic unfinished appearence is actually a common Anatolian art form dating back to the neotholic period.9 Similar statues of Kybele and other Anatolian goddesses have been found at Gordion, Keskaya, and Hattusa.10 It’s discovery at the Letoon furthers the notion that the statue might have been of cultic value, and that it represented the Lycian mother goddess associated with the sanctuary.


Notes:

1 Laroche (1980) 1, 3
2 Keen (1998) 195, Raimond (2015) 2.
3 TL 56
4 TL 131, translation by Bryce (1986) 84-85 and Dane Scott
5 Keen (1998) 195
6 ibid
7 Bean (1978) 63
8 Description based on images from Bean and from the Fethiye museum.
9 Işık (2003) 211
10 ibid 218

Sources:

Bean, G.E. Lycian Turkey: An Archeological Guide. John Murray Publishers, London, 1978.

Bryce, Trevor R. β€œDisciplinary Agents in the Sepulchral Inscriptions of Lycia.” Anatolian Studies, vol. 31, 1981, pp. 81–93.

Bryce, Trevor R. The Lycians in Literary and Epigraphic Sources, vol. 1, Museum Tusculanum Press, Copenhagen, 1986.

Fahri, Işık. β€œDie anthropomorphe Halbstatue der β€˜Eni Mahanahi’ aus Letoon.” Macellum: culinaria archaeologica, Mainz: Birkle, 2001.pp. 143-151.

Hutter, Manfred. β€œAspects in Luwian Religion.” The Luwians, edited by Craig Melchert in Handbook of Oriental Studies vol. 68, Brill, Leiden, 2003. pp. 211–280.

Laroche, E. β€œLes dieux de la Lycie classique d’apres les textes lyciens.” Metzger. 1980a. 1-6

Keen, Antony G. Dynastic Lycia: A Political History of the Lycians and their Relations with Foreign Powers C. 545-326 B.C..Mnemosyne, Supplements, Vol. 178, Brill, Leiden. 1998.

Raimond, Eric A. β€œGods and People in Persian Anatolia: The example of Lycian deities.” Academia.edu, 2015, pp 2-7.

Appears in


All material developed by Dane Scott and Neel Smith, and available under the Creative Commons Attribution Share-Alike license CC BY-SA 4.0